Relâche Ensemble Members

Bob Butryn, clarinets & saxAndrea Clearfield, piano & keyboardsChris Hanning, percussionChuck Holdeman, bassoon

Michele Kelly, flutes,  Co-Artistic DirectorAmy Leonard, viola  Douglas Mapp, bassshorter_headshot
Bob Butryn, clarinets & sax

Bob Butryn studied clarinet at Temple University. He has performed with numerous classical, jazz and rock ensembles in the Philadelphia area, including a progressive klezmer band called Klingon Klezmer, and has his own band, the Bob Butryn Orchestra. Bob is also a professional dancer. He has arranged and choreographed a music/dance show called Crazy Rhythm, Fancy Feet which is based on a wide variety of American music and dance styles and forms. You can learn more about the show on the web at www.crff.net

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Andrea Clearfield, piano & keyboards

Andrea Clearfield (b. 1960) has been playing with Relache since the early 1990’s. She  is an award-winning composer of music for orchestra, chorus, chamber ensembles, dance, and multimedia collaborations. She has been praised by the New York Times for her “graceful tracery and lively, rhythmically vital writing”, the Philadelphia Inquirer for her “compositional wizardry” and “mastery with large choral and instrumental forces”, the L.A. Times for her “fluid and glistening orchestration” and by Opera News for her “vivid and galvanizing” music of “timeless beauty”. Among her 90 works are ten cantatas including one for The Philadelphia Orchestra. Her 2012 cantata, “Tse Go La” for double chorus, electronics and chamber orchestra incorporates Tibetan melodies that she was documenting in the remote Himalayan region of Lo Monthang, Nepal. She is currently writing an opera on the life of the Tibetan yogi Milarepa to libretto by Jean-Claude van Itallie and Lois Walden. Dr. Clearfield was awarded international fellowships at the American Academy in Rome, the Rockefeller Foundation’s Bellagio Center and Civitella Ranieri in Italy, Fundaciòn Valparaiso in Spain and Moulin à Nef in France. She was recently visiting composer at the University of Chicago, the College of William and Mary, the University of Texas at Austin and the St. Petersburg Conservatory in Russia. She received a DMA from Temple University where she was honored as a distinguished alumna, an MM from the University of the Arts and a BA from Muhlenberg College where she received the Alumni Achievement in the Arts Award. She served on the composition faculty at The University of the Arts and is the pianist in the Relâche Ensemble. She is also the founder and host of the renowned Philadelphia Salon concert series now celebrating its 27th year featuring contemporary, classical, jazz, electronic, dance, and world music and winner of Philadelphia Magazine’s 2008 “Best of Philadelphia” award. More at www.andreaclearfield.com

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Chris Hanning, percussion

Chris Hanning is the Director of Percussion Activities at West Chester University. He is the principal percussionist/timpanist with the Lehigh Valley Chamber Orchestra and timpanist with the Bach Festival Orchestra of Bethlehem. He also performs drum set with the jazz trio M.P.H. featuring saxophonist Gunnar Mossblad, and with the Peter Paulsen Quintet. Chris has performed on numerous recordings for NFL Films including two Emmy Award Winning projects. His most recent recordings include soundtracks for My Father’s Gun and Blood From a Stone (History Channel Movies), various selections for the closing ceremony of the 2006 Super Bowl, a CD with legendary saxophonist David Leibman and the Manhattan Saxophone Quartet titled The Seasons Reflected (Soul Note), a CD by the M.P.H. Trio titled Curves (GPC Records), and a CD by the Bach Choir of Bethlehem (Dorian). Recent reviews of Chris Hanning’s performance on The Seasons Reflected note “…drummer Hanning is magnificent” (Wire Magazine, England) and “…profound African drumming” (All about Jazz). Chris is a board member of the international Percussive Arts Society. An upcoming project includes writing 20 short pieces of music with former NFL Films composer Tom Hedden for APM Music. APM produces music with commercial applications for the media and entertainment industry.

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Chuck Holdeman, bassoon

Bassoonist Chuck Holdeman is also a composer. He has written songs, works for band, orchestra, and small ensembles, film and educational music. He and his librettist partner Vince Marinelli wrote and premiered their one-act opera Agostino and the Puccini Clarinet in 2007, with a revival in May 2008. In ‘06 his oboe concerto was commissioned and premiered by the Philadelphia Classical Symphony with Richard Woodhams, principal oboist of the Philadelphia Orchestra, as the soloist. In ‘09 Relâche commissioned Chuck to write music to accompany the silent film At Land, for a concert honoring pioneer experimental film-maker Maya Deren. Relâche turned to Chuck again for the 2011 PIFA Festival performances of Les Films Muets (French silent films.) Chuck composed and conducted his accompaniment to Max fait de la Photo. Chuck played in Relâche from ’85 to ’95, then rejoining the ensemble in 2007. He also currently serves as the group’s office manager and on the board of directors.

Chuck Holdeman’s second opera was commissioned and produced in the spring of 2014 by The Bach Festival of Bethlehem (PA.) The Philadelphia premiere of Young Meister Bach was March 2, sponsored by The German Society of Pennsylvania.

more info at www.chuckholdeman.com

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Michele Kelly, flutes,
Co-Artistic Director

Michele Kelly joined Relâche in 1998. The New York-born, Houston-raised flutist is an experienced chamber musician, performing with numerous ensembles varying in size and style. A strong advocate of a broad-based and culturally diverse music education system, Michele is a highly regarded clinician, ensemble coach, and studio teacher. She plays an active role at the University of Pennsylvania’s College House music program, a unique teaching and mentorship program within a residency environment. As ensemble coach, master clinician, studio teacher, and adviser, she is an indispensable resource for college musicians interested not only in instrumental performance in its traditional model, but also in the organic experience of musicians’ lives, and the cultural climate in which they are able to thrive. Away from Penn, Michele continues to nurture young musical talent in the form of her active and committed private studio. Michele received her M.M. from the University of Michigan, where she also earned a post-Master’s Specialist degree in chamber music performance. Away from the flute, Michele maintains an active interest in health and nutrition. The daughter of noted abstract expressionist painter James Groff lives with her husband, multi-instrumentalist Darin Kelly, sons Eamon and Eoin and daughter Maureen in the Fairmount section of Philadelphia.

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Amy Leonard, viola

Philadelphia native Amy Leonard received viola performance degrees from the Oberlin Conservatory and the Manhattan School of Music, and has studied baroque viola at Oberlin’s Baroque Performance Institute. Principal teachers have included Leonard Mogill, Jeffrey and Lynne Ramsey Irvine, Karen Ritscher, Charles Bruck, and Jane Starkman.

Though much of her career has been devoted to the teaching and performing of orchestral music, Amy is also an active recitalist and chamber musician, participating in a number of music festivals in North America and Europe such as Aspen, Banff, Spoleto USA, and Mostra Mozart in Venice, Italy. Amy also enjoyed a decade-long relationship with the Pierre Monteux School in Hancock, Maine, first as student, then as administrator and director of the school’s chamber music series. Past orchestral positions have been with the Louisiana Philharmonic Orchestra, the New World Symphony (Miami Beach, FL), and as assistant principal violist with the National Symphony Orchestra of Ireland, where Amy performed with the internationally recognized contemporary ensemble Nua Nos, or “New Noise”. Amy taught viola at Southeastern Louisiana University in Hammond, Louisiana for four years; her students are now members of the Mississippi and Baton Rouge Symphonies.

Currently, Amy maintains a large and lively studio teaching viola and violin at the Music School of Delaware, the Shipley School in Bryn Mawr, PA and at home. Recent recital appearances have been at Calvary Episcopal Church in Wilmington, DE, and at the Philadelphia Ethical Society. In addition to performing with Relâche, Amy often performs with the Delaware Symphony Orchestra, the baroque ensembles Tempesta di Mare and Brandywine Baroque, the Pennsylvania Ballet Orchestra, Philly Pops, Chamber Orchestra of Philadelphia, Princeton Symphony and Opera Delaware.

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Douglas Mapp, bass

Douglas Mapp is at home in many styles of music ranging from classical to jazz to rock to Broadway to contemporary classical. The list of artists that he has performed, recorded and toured with includes Philip Glass, Michael Nyman, Donnie McClurkin, Monty Alexander, Richard Smallwood, Natalie Cole, Randy Brecker, Sean Jones, Ernie Watts, Lana Del Rey, R Kelly, and Jeff Majors. He is Principal Bassist of the Reading and Kennett Symphonies and Assistant Principal of the Delaware Symphony. He performs regularly with some of the regions premiere ensembles including the Pennsylvania Ballet, the Philly Pops, and the Harrisburg Symphony.  He has performed as substitute bassist with the Philadelphia Orchestra both at home and on tour. He is President of the International Society of Bassists and chaired the 2015 ISB convention at Colorado State University. Douglas Mapp is a Professor of Jazz Studies at Rowan University in Glassboro, NJ. He has been performing with Relâche since 1987.

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Lloyd Shorter, oboe & English horn,
Co-Artistic Director

Lloyd Shorter has played with Relâche since 1990. As a soloist, he’s performed under the direct consultation of many major composers, including John Corigliano, Joan Tower, and Simon Bainbridge. Lloyd’s performances with Relâche have included the Prague Spring Festival, concerts in Berlin, Vienna, Warsaw, Cracow, Amsterdam, Vilnius, Seattle, Phoenix, New York City and Venezuela. He has received grants from the State of Delaware for solo work and touring, from the University of Delaware for Internet2 research, and was a Salzburg Seminar fellow to debate the future of classical music. Lloyd has been a member of the Delaware Symphony for over 30 years and is on the faculty at the University of Delaware, where he teaches oboe and English horn, along with numerous courses on music and cultural history, with an emphasis on contemporary music. At the University, he is also involved in research using Internet2 for music instruction featuring live class interviews with some of the most interesting creative artists of our time.

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Ron Stabinsky, keyboards

In recent seasons Ron Stabinsky has appeared often with Relâche when our busy composer member Andrea Clearfield is unavailable. We are now happy to welcome him to our regular roster!

Ron Stabinsky recently released his debut album, Free for One, the culmination of more than a decade of evolving his improvised solo language. In addition to continuing to pursue his ongoing interest in solo piano improvisation, he enjoys working on music in a stylistically diverse array of situations throughout the United States and Europe with many other musicians and ensembles, including free-improvising saxophonist Jack Wright, bass trombone virtuoso David Taylor Meat Puppets bassist Cris Kirkwood, and NEA Jazz Master David Liebman. Recent festival appearances include Newport Jazz Festival, North Sea Jazz Festival (Netherlands), Moers Festival (Germany), Jazzfestival Saalfelden (Austria), Outreach Festival (Austria), and Jazz and More Festival Sibiu (Romania). In addition to being the most recent addition to Relâche, he is currently a regular member of the band Mostly Other People Do the Killing, the Charles Evans Quartet, and the Peter Evans Ensemble, a new expanded conception of the critically acclaimed Peter Evans Quintet. He is one of three pianists featured on Relâche’s Comix Trips CD.

Ron Stabinsky BW